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Mission college symphony Videos

Haitink On Brahms 3

Masterclass with conductor Bernard Haitink on the difficulties of directing Brahms's Symphony No.3, recorded at London's Royal College of Music. The full ...

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@SteveAndrewLangford I think putting one's head down is different from closing your eyes. When you put your head down, all contact is lost. Closing your eyes as a conductor doesn't necessarily mean there is no contact with the orchestra. It is expressive. So, I can agree it is technically wrong to put your head down. If a conductor were to put his head down in some kind of an artistic move that wouldn't be right either. He is not the artist, the orchestra is. At least, that's what I think.
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The Choir in which I sing recently auditioned for a new Musical Director. The final four all had PhD degrees in music or were months away from the award. The youngest committed one of the most basic mistakes. She FOLLOWED us instead of LEADING us. This happens when budding conductors conduct to a recording, often in front of a mirror. Since a recording cannot respond to gestures you wind up following rather than leading. If a conductor does nothing else he or she MUST lead.
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Teaching conducting is merely impossible, unless you teach time-beating. It is just a question of mere charisma. Karajan said "5% is technique, 95% is psychology". look at the faces of those young chaps: are they really conscious of the overwhelming feelings of this music? Are they really taken away by it? THIS IS THE PROBLEM, Haitink or not.
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One of my favorite conductors, my favorite composer, and I agree with and love everything Bernard says! Be happier except needing and wanting more. What are supremely great message that he gave, that we're here to help each other and if anywhere that that can be seen to be effective it certainly is it in the great cooperative orchestra.
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The first young conductor we see in Haitinks masterclass is Michael Alexander Young.I have seen several of Youngs concerts with the Charities Philharmonia in London.His Shostakovitch 7 was one of the best I have ever seen.But dont take my word for it,look up Charities Philharmonia on You Tube. Obviously Haitinks tuition had its effect.
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Bernard Haitink, a very gifted Dutch conductor of our time, his fierce precision of interpreting the score is always full of tension & drama. Here we see his tender side as a good teacher & a generous maestro who's willing to share his expertise with young students. What a joy in music-making. I love this video, thanks !
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I have seen Michael Young the first conduct the Charities Philharmonia at St Johns Smith Sq several times. The Pastoral is on You Tube and is very good,however his Shostakovitch 7 I saw a couple of years ago was the best live performance I have ever seen of this symphony!
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not so much that they've learnt it, but it will have been rehearsed often. Most players are proficient enough to read ahead of where they are playing and keep 'checking' themselves with the conductor. It is a skill one learns when playing in a conducted ensemble.
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That is one of the cutest moments of my life "Actually it feels amazing." How many of us would like to stand up there in front of an orchestra and conduct our favourite piece? I would probably choose Sibelius's Tapiola. What do other people say?
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Hatink has always been one of my absolute favorite conductors and now I can see the reasons why after hearing them for so many years. I think I recognize some in the orch. Which one is it? I'm off to buy the DVD right now. Thanks so much!
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You should get the three hour DVD. It's truly inspiring - and not just for aspiring conductors. Any music lover would learn so much from this remarkable man. You can get the DVD from the website on the clip.
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@lullemans72 hmm It could be , that some of them have memorized the whole piece , but the case usually is that you'll have played it so much that certain parts won't need that much focus (with your eyes)
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I think Bernard is wrong in saying he shouldn't put his head down, its an artistic move, not a technical one. Herbert is known for closing his eyes through several pieces he conducted.
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I am a lawyer, by the way, and I've given this a lot of thought today, and I concluded that this job has to be the classiest, most elegant and graceful profession a man can do. Wow....
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Wow! This is just amazing! I wonder how the participants feel conducting such a wonderful group. I wish I could have the opportunity to participate or at least play in such.
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Which is the easiest of the Brahms symphonies to perform because I want to hear a school orchestra perform the Brahms symphonies but I get told their too difficult.
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what a nice vid! Haitink is critical but also fatherly, and gives the right direction to these young and talented people. And he knows how to give a compliment...
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i never understood the role of the conductor. if everyone is looking at their scores, how could they also look at the guy standing in front with his stick.
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wow.. to have Bernard Haitink telling you that what you are doing is very good must feel like heaven... I would have loved to study conducting..
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@montenegrin2010 Ha no. You have to be very humble and willing to do anything to be a good conductor. You have to put your ego aside to conduct.
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I've seen Haitink conduct this very symphony with the Royal Concertgebouw Orchestra. I thought is was divine! Bravo Maestro!
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@maestromarble08 I think his name is John Lubbock, but I can't remember, might have him confused with someone else!
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I don't like him so much as a conductor, but he seems to be a nice good-hearted person. Students are terrible.....
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Ralph Vaughan Williams' Fantasia on a Theme of Thomas Tallis. Either that or Liberi Fatali by Nobuo Uematsu
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"Well, how does it feel?" "Actually amazing" "For me, too." The most awesome thing passes between them.
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@lullemans72 Peripheral Vision. Plus You're not going to be glued to the sheet music the whole time x)

Haitink Conducts Brahms's 3rd Symphony, 4th Movement

Bernard Haitink's conducting masterclass on Brahms's Symphony No.3, recorded at London's Royal College of Music. In this clip, Haitink shows the student how ...

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There is a very thin edge to a Conductor having something to say to their players, and getting out of the way and letting the players do their work. For me, in this short clip, the difference between the Conductors can be visibly seen in the face of the female Cellist. I believe this edge can be clearly seen on her face. :)
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VERY IMPRESSIVE... The Violinist Amaze me with their vigorous virtuous. 

Haitink: Nostalgia And Longing In Brahms 3

Bernard Haitink's conducting masterclass on Brahms's Symphony No.3, recorded at London's Royal College of Music. In this clip, Haitink teaches the student ...

User Comments

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Fantastic, so valuable! Don't take this for granted…
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I love the eyes of the cellist ~~~ though
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