Royal Wedding - Princess Elizabeth 1947 - edited newsreel story
Movietone in common with every loyal subject of the King offers congratulations to HRH PRINCESS ELIZABETH and her bridegroom. TS Queen Victoria ...
News In A Nutshell (1934)
Title for this item is missing. This is a roundup of short news from around the world. PLANE CRASHES THROUGH HOUSE IN CALIFORNIA California, United ...
Review Of 1934 (1934)
Full title reads: "REVIEW OF 1934". A nice title with cockerel in a big David's star - six angles - shining and illuminated signs reading: "PATHE GAZETTE ...
I love how he's so posh that when talking about ascot and the boat race
everything is fine but talking about the football he sounds slightly
sneering.
Love
Tom
Soccer & not football, as it was termed then, given I visited friends near the old Highbury stadium in the 1970's.And the old folk addressed 'the game' still as soccer like The PO tube station in The City, despite it being closed down. Indeed, the 'art form', was still a hobby though players were paid little.And the sport was viewed more for the growing middle to upper working classes, unlike cricket, a more brainy sport for 'real gentlemen!'
CRHnews - Royal wedding James Oglivy & Julie Rawlinson
COPYRIGHT CRHnews.co.uk ROYAL WEDDING James Ogilvy with his bride, Julia Rawlinson, in what was billed as the royal wedding of the year, on 30 July ...
I was one of the bellringers, we'd been frisked and made to sign in the
night before when we got the bells ready. On the day day we strolled up to
the west door, said who we were and were let in without any checks
whatsoever!!
Royal Wedding Udaipur
In Video : DJ Aqeel LIVE Inside video of the 2012′s Big Fat Wedding of London based businessman Puru Sethia. Celebrities like Katrina Kaif, Priyanka Chopra ...
The Royal Wedding 1947-Philip & Elizabeth
The wedding of Princess Elizabeth (later Queen Elizabeth II), and Philip, Duke of Edinburgh took place on 20 November 1947 at Westminster Abbey in London.
Peter Maxwell Davies: 'Farewell to Stromness' and 'Yesnaby Ground'
As of 11 February 2009, 'Farewell to Stromness' had been recorded several times here...
These 2 works by Davies sound very authentic of traditional Scottish music,
pipes and all. However, for anyone interested in some more even more
authentic Scottish piano music, based deeply in traditional music, I highly
recommend Murry McLachlan's comprehensive series of the complete piano
music of Eric Chisholm, Scotland's greatest composer. Chisholm's piano
works are in a way a bit like Bartok's folk music that he cataloged &
x-scribed into original works. Virtuoso music played very well!
@PSearPianist Yes, I've heard several recordings, one I believe by Davies
himself, and the "At a slow walking pace" tempo varies, apparently by how
fast the performer walks, and I find the medium of these to be the most
satisfying, and you play it at the tempo I like best. My critique has to do
with changing the tempo where no indication exists. Personally I feel the
best "feeling" comes from varying the dynamics according to the score works
best. I share your "piano problems".
@cheamverdi Although I can't agree with you that atonal music is a bad
thing in totality (If that's what you're saying!), I certainly agree that
this piece is awful! PSearPianist goes through it very well, so it isn't
the playing that is at fault at all. It's the song that's faulty! For
children learning the piano? Mm, OK... No, actually I would dissuade them
on the grounds that this type of self-righteous, repetitive "muzak" might
put them off playing the instrument for good!
I am a composer who had to endure while studying composition the almost
fascist atonal dominance in academia of composers like Davies. His
'serious' complex music ranks as some of the worst- and actually most
unmusical music I have heard. I notice not one of his symphonies are on
youtube-ask yourself why. He then produces as an opposite extreme really
bad pseudo folk music like in this video as a token gesture to tonality. I
have heard pupils write better stuff in school.
@cheamverdi You've exposed yourself as a bit of a dimwit with this highly
simplified and ignorant summation of Davies work. Certainly he has written
a lot of very difficult to appreciate music, much of which was in his
younger days, but he has written plenty of very fine "tonal" music, much of
which is based on Celtic and Scottish folk music, and he's written fine
symphonies and other forms of music that put your lame conclusion off the
cliffs of Orkney where it belongs.
@PSearPianist One thing I discovered shortly after I discovered Chisholm's
music was that the scores are not easy to find. I was interested in his
wonderful "Sonata in A" but had to inquire at the Chisholm foundation for
the score. It turns out that it exists only in manuscript and even the
manuscript is sub-divided into several possible combinations. I did not
order it and I don't know where to find other works. What sort of set do
you have?
Thank you for these recordings! I've been playing "Farewell" for about a
year but never had much success with "Yesnaby" (I'm an aging amateur
attempting to regain some of the skill I had 50-30 years ago!). To be
honest I preferred your reading of "Yesnaby" over "Stromness" in which I
felt you took some liberties with the score regarding both tempo and
phrasing - minor points I suppose, but just an honest critique. Keep up the
good work!
I just heard Farewell on a classical radio station while on a trip to South
Beach, Miami. I had to stop what I was doing immediately to listen 100%. I
googled the composer on my iPhone and this video came up. I love the
performance and the pieces. Knowling nothing, I got the feeling of movement
through space. Not mournful trudging, but somber steps with a bit of tra-
lah. I love when I'm swept away by a new composer!
Thanks for your comment. He has written a handful of other short pieces
(published by Boosey & Hawkes), and a 28 minute piano sonata (1981)
published by Chester Novello. I have never heard the sonata, and it doesn't
seem to have a place in the standard repertoire. He seems to be best-known
for occasional pieces written in accessible idioms (eg, the orchestral
'Orkney Sunrise and Wedding')
@eurisko618 Thank you for your interesting comment. It is a while since I
did these recordings, and I might well do them differently now. I certainly
listened to a commercial recording before I did the videos. Sometimes I
have to depart from the norm just to bring pieces off on my piano, which -
though generally good - does not have the quality of action of a
top-of-the-range Steinway.
Thanks for your comment. I happened to hear Peter Maxwell Davies own piano
performance on a British commercial classical radio station (Classic FM -
which has apparently plugged the piece quite a lot and is responisble for
its popularity, at least in the UK). He is probably a bit more legato than
I am, but he certainly points the phrasing with a little staccato here and
there.
Thank you. I'm impressed that you have been to Orkney - I live in the UK
but never have! I doubt if the pieces are based on specific Orkney folk
music. However, they certainly draw inspiration from Scottish Celtic music
in general. I am fortunate in being able to watch BBC Alba, a Gaelic
language TV channel, which broadcasts a lot of Celtic music.
Maxwell Davies' Stromness is possibly one of the worst pieces I know for
piano. I can accept (without liking) his 'contemporary' more complex
output-it is what it is. But this Stromness piece is just bad tonal writing
and mundane. If it had been written by some little known piano teacher
no-one would be interested.
Lovely pieces. No other composer could be compared with Sir Peter M.
Davies's tunefulness. Your playing seems absolutely effortless. A very
talented player here! The concentration pays off resulting with a marvelous
performance. No wonder Maxwell Davies is her Majesty the Queen's composer!
When I was preparing my performance I listened to an arrangement for a wind
ensemble, and the players used staccato to bring out the slurring which the
composer puts in the score. I liked the effect - its adds a bit of humour -
and incorporated it into my playing!
Wonderful playing. Beautiful compositions. Thanks for stirring up old (and
good) memories of mine from Orkney's Islands and Stromness. I liked the
place and its people. I haven't heard its music, though. Are these 2 pieces
based on local folk-music?
I can see your point of view. It was very much a 'pièce d'occasion' that
has been taken up because it is accessible and by a famous composer, much
of whose other music is a bit thorny for the man in the street!
i love farewell to stromness but i don't like the staccato personally, as i
don't think it's a piece that should have humour, for me its more
melancholic, but interesting interpretation nontheless.
@cheamverdi Of course, it may be my playing that is at fault. However,
there might be an element of 'if he is famous/a celebrity, he can do no
wrong'. That certainly happens in the visual arts!
Thanks very much! Of course these pieces are not particularly
representative of his composing style, as they were written to be very
accessible. A lot of his music is quite 'gritty'!
You may be right on what it depicts. When I recorded this I had heard other
recordings and thought my tempo was about right. If I did it again maybe I
would do it a little slower.
I was not aware of the polemic composer/arranger, however I like very much
these 2 pieces you've chosen and your performance as well. There is nothing
wrong with it, believe me!
I don;t think it is controversial - this is how it was played when I first
heard it - in Stromness! It gives itself to a striding approach with
emphasis on the walking bass
That's kind! My tempo for this video has been very controversial, and I
guess that if I were to rerecord it I might make one or two changes to keep
viewers happy!
I LOVE the piece, my favourite piece of contemporary piano music. I make
some feeble attempts at playing it myself, but you show how to do it
properly!