Josh Lieb worked in the writer's rooms of comedy successes from the Simpsons to the Daily Show, but he warns that the job is full of more frustrations than glory.
Nothingg new. Look, I'm an architect, and competition in architecture is
insane as well. I haven't had a job in almost two years, as an architect.
I'm also an aspiring writer and I know I am good at it, it's the only thing
in my life I know I really have a talent for. I will study a masters in
Scriptwriting for film and TV soon, I'm taking my chances, but at least it
is more satisfying than architecture and at least I know I have a better
chance to be something, as small as it might be. Scram!
To all of the people who've commented that this guy is pessimistic or
negative: he's been there and done it. This is the reality of trying to
make it as a creative person in the world. Ask anyone who's been in
Hollywood for a while for their honest advice and they will likely tell you
the same thing: if there's anything else you can do, do that instead. And
be prepared for a lot of rejection, frustration and plain old bullshit.
It's looks like fun and glamour from the outside, but it's not.
I know most of u guys are disappointed that this video wasn't so positive
and stuff, but i really like that he is honest. I've heard sooo many
creative people say the same thing - that if u can do something else and
enjoy, than do it instead. And those r ppl who work in the industry for
decades and know what they are talking about. I don't think that he tried
to make u not pursue tv writer's career, but too many aspiring writers
think it's gonna be much easier than it actually is.
What you just said, is possibly the stupidest thing I've ever read. It
makes me feel more of an idiot for having just read it. Because you've not
heard of someone, you don't recognize their name, they suck? Name everyone
on the executive board of the Deutsche Bank in Frankfurt off the top of
your head. Never heard of them? Because on their millions of euros, they
don't need you to know their names. I can't believe how ignorant what you
just wrote was.
It's really hard to listen to someone who made their dream tell others not
to go for their dreams. Imagine if Tom Brady was telling little kids to not
play quarterback because they have zero chance of becoming a pro. Yes it's
hard to get writing gigs, but I think it's a cop-out to tell people to not
do something because it's hard. I'd rather him just say, "know the right
people" because that's more likely true and is less pessimistic than "don't
try".
Pessimistic...is what I thought of at first. Then I replayed it and applied
it to myself. I write. I like it. But I don't know if I want to do it
professionally. What I really want is for people to like my talents and
effort, whatever and wherever it may be. It might be writing, it might not
be. If you write to answer your calling or your passion, more power to you.
Shit, I'll root for you.
Hey everyone! Don't listen to this lisping mumbling idiot! For such a
"savant," he forgot that writing is not an exercise of cost-benefit
analysis, it's about finding an emotional truth. He's only saying that
because he can't fathom why he got a job as a writer, deferring it to luck.
Well, only the untalented are lucky. Write and you will be heard! What a
fucking downer this guy is!
He's right, if it is hard to do you should hang up your keyboard and go
flip burgers. Don't go after your dreams, because people will hold you
back. Don't stick to your ambitions, because others are more ambitious.
This guy is optimistic like a graveyard is cheerful. Holy shit, don't
listen to this guy, he is from American't.
Since this was done in 2009, what he says about the decline of scripted TV
doesn't apply any more. You think about the number of avenues, like
Netflix, Hulu, Amazon, etc., where there are more and more scripted shows,
the pendulum has completely swung back. The problem is, the competition is
also MUCH more intense now.
right now there are a lot of people trying to do many things. not just
writing. If you go to WALMARTS i'm sure there are tons of people trying to
work there. Same with Acting, Nursing, being a police man, working in
anything during this economy there are tons of people doing the same. thats
reality
Lol I thought watching this would give me some insight and optimism but
instead I find this guy telling me to give up on my dreams because he
couldn't achieve his, what a shame... some of us are up for the fight.
I know he's just trying to be frank, but telling someone not to do
something because it's hard is never quality advice. But hey. If you're
going to quit that easy, be my guest. Less competition for other people.
look this guy is sincere and i totally agree with the point hidden in the
middle of his diatribe...if you think it is hard or you can imagine
yourself doing something else this is the wrong business for you!!
I'm sure this is useful advice for someone in his shoes, but what about the
rest of us who actually have some charisma, personality, imagination,
creative ideas and determination?
please there are so many lawyers who have NO money and there are some who
do well. so not everyone can be a lawyer. this guy seems out of touch with
REALITY
the best ideas, and by extension, the best thinkers/problem solvers don't
necessarily rise to the top. Instead, people are held back by institutional
gatekeeper blocks or someone's ego rather than the limits of their own
talent. The horror stories of "the producer or studio exec or other head
administrator that just doesn't 'get it,' or conflicts on set, etc." are so
common now that it's become a cliche, from the Teacher's strike in Chicago
last year to the Writer's Strike to the VFX strike to
*gypped. Mozart and Beethoven (or at least I heard) were kind of the same
way. They preferred to make their money by composing rather than
instructing, and a lot of the instructors I've ever met were simultaneously
working in the industry as well as instructing. Still, that kind of culture
of being hesitant about sharing "trade secrets" does highlight a number of
deficiencies with regards to the capitalist system. In a cloak and dagger
environment where everyone is trying to outdo the other,
Now, it's all reality shows and puppy videos. Which, I'm not going to lie,
I'm starting to see the appeal. I've seen some really mean people on the
planet turn into absolute sweethearts when confronted by a dog with doe
eyes (shortly before making a flash video trolling blasting dogs into a new
form of cafeteria mystery meat). Now, you tell me what that is worth,
because whatever they're getting paid (a fourth of a penny per copy or
download in residuals, or something equally pathetic like
No wonder the instruction you get in school is sketchy at best. All the
great writers are busy selling their darling to the highest bidder on cable
networks, not spoon-feeding the next generation. Understandable. That said,
what's the pay like. Because last I heard, the Writer's Strike left a
rather bad taste in my mouth with regards to talk of getting gripped on
royalties. If you're going to be operating "24/7," there better be a better
incentive than "for the the passion," because as far
Oh, yes, whatever they're getting paid, quadruple it, because it's not
nearly enough. I think that's the Catch-22 of the whole paradox of "art
appreciation." In order to properly value art, you have to actually take
time to slow down and explain what when to making it. In other words, stop
and smell the roses. You could have a hundred good ideas, but all of those
ideas are useless when presented to someone who doesn't know how to make
heads or tails of it. That's something I learned about
Interesting. Fast and hard idea thought experiment evolution. LoL. 24/6-7,
depending on the Showrunner, eh? Good thing I emptied all of my story ideas
out of my head before approaching something new. Sounds a bit like entering
a war room. Sounds like fun. ;) That said... is there a bunny hill? Because
I don't think I'm ready to sink any shows so thoroughly into the ground
that it can never recover. I've always wondered how the writers of 24 could
sleep at night.
art; it's only valuable to other artists, therefore, the best form of
"advertising" is by openly sharing the ins and outs of other potential
artists (a.k.a. fans). This is also a rather useful ego valuation, because
it tells you, in the grand scheme of things, just how good you really are.
If someone can rip off one or two or ten of your good ideas, and that's it,
and you become a one-hit wonder bitterly spiting the hack that screwed you
out of your
And don't even get me started on the NBA, NHL and NFL lockouts... ...
actually, I can't. I know nothing about sports lockouts, but the epic
conflicts between the Bulls team and coach vs management during two epic
three-peats more or less set the tone. Oh, those were good days. You could
tangibly measure the effect the Bulls's championship runs had on the
nation's GDP and foreign sales. Very few sports franchises can make such a
similar boast. /rant
your character and would actually be happy if you had the balls to kill
your character off. How much more can a human being possibly face? Lord
knows the audience can't take it any more. The people who write this stuff,
and the people who consume this stuff, are as hardcore as it gets. Whatever
laughable lack of a life these writers have, hardcore fans have a
comparable lack of a life. Hell, you could go over plot-lines and get
cops not getting paid overtime hours for keeping hippies from getting
violent with their protests for the NATO summit in Chicago last year (and
thus avoiding becoming like the violent riots of the 1968 Democractic
convention), or how all the best filmmakers today had to work in spite of
rather than because of the system, or how the head of the Sy-Fy channel
voicing the opinion that she really doesn't like Science Fiction.
Entertainment or Bungie or ReSpawn Entertainment (formerly the staff of
Infinity Ward) from your average artists. You can have the exact same tools
be available and still not be able to replicate the kind of invented
prioprietary software/hardware and artistic statements/output that they do.
Thus, gatekeepers can only screw you for so long. Eventually, people learn
where the real value lies and go to the source.
The interesting thing about TV shows, and why I think a lot of the best
writers end up working in TV, is that in TV, you have to be a repeat
success. If you manage to steal one or two good ideas from a fellow writer,
good for you. You've managed to become a one-hit wonder. But in TV, you
have to repeat that success over, and over, and over, and over, and over,
until people are black and blue in the face with
That said, I absolutely respect the Tolkien estate for not selling the
film/TV rights to the property. Better to do what they did with Season 7 of
24 or the BSG series (-ish) or Doctor Who Series 3 and plot these things
out with an actual overarching skeleton structure than pull a 24 Season 6
(waa, waa, depictions of torture are politically incorrect. Yeah, that may
be PC, but it sure as heck ain't engaging
new story ideas from some of these fans. The only reason Star Trek or Star
Wars survives is because some fanatical fans *refuse* to stop beating that
dead horse or give it up. They RESURRECT and zombify that sh-t so it goes
on to haunt the dreams of entirely new generations. *That* is the power of
a good idea. Or, at least, that's how it used to be. I assume comics fans
were at one point just as fanatical.
I oftentimes find that I need the trigger of an interesting hook. Staring
at a blank page is death. I'm sure this is all infinitely fascinating, but
I find that I'm a bit like Pyro in that scene from "X2-United," where
Pyro's talking to Magneto about how he can shape the flames any way he
wants, but he cannot create them. Damn. No wonder cover letters or getting
started are so difficult.
that?) Because you could make a TV series that lasts ten seasons based off
of the Silmarillion (I assume. When have the production value of millions
of dollars per episode on a series like Heroes, you're damned right the
showrunner better apologize when every season after one seems to have no
direction. BSG *went* somewhere.).
Also, just by the fast-paced, endurance trial, marathon-like nature of
television writing, TV writers end up exploring more branching permutations
of the human condition more often and more intensely than writers of other
mediums. In other words, TV writers (and video game designers) are just
better because
they practice their frenetic craft more often than everyone else. Hell,
it'd be interesting to see some cross-pollination in either field. I have
no idea what that would look like, seeing as how they both work entirely
differently, but damn if it wouldn't be fun to observe.
television. Television is where sh-t hits the fan. *hard* WIbbly, wobbly,
timey, holey-sh-t!!! Just from a logical standpoint, there's no way someone
can untangle all of this!!! And then they do. Maybe. That fricken'
Tennant.).
Snake, in regards to how much money TV writers make, search "Show Me the
Money: WGAW TV Writer Earnings Grow As Screenwriter Earnings Decline" which
is a recent article on No Film School that showcases some numbers.
Believe it or not, I have sketched all of this out. The back an forth of
communication is a new thing for me. Anyways, off to create a creative
blog! Thanks!
as I can tell, the only guys that seem to properly value and appreciate the
impressions left by passionate artists are people like me.
What Is a TV Comedy Writer's Day Like?
Michael Price, NCFL supporter and Emmy-winning writer and co-executive producer of The Simpsons, shows his Wonderopolis friends what it's like to write a ...
Hey Michael, I really enjoy The Simpsons. In fact, it's because of the
Simpsons that I want to become a TV writer myself. This video was really
cool. You should make more vids about TV writing!