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Why go through the trouble of finding the literal extension of the file
when you can just: $type=$_FILES['file']['type']; if ($type=='image/jpeg')
{ //upload code here } else { //error message here } like that
@lordofthemonths instead of getting the . get the letter after the dot, see
if its a j, if not, then continue, and if it is, then check the letter
after the j, see if its p, and so on
I understand that if you have a melodic phrase built off a particular
scale, you can relatively easily build a harmonic foundation for that
phrase by harmonizing that scale. Is there a way to reverse that process?
In particular, is there a quick way to find a scale to use given a chord
progression? I ask because I typically write rhythms and harmonies first
and then fumble about trying to find a melody that fits in my songs. If
this has already been answered, what video should I watch?
Thanks for the great videos Andrew, they're very informative! I had a
question about 11th chords. I've heard it said several times that in
building 11th chords, one should avoid using the 11th degree with major or
dominant chords due to the dissonent half-step harmony it causes. I don't
really understand this explanation, because maj7 chords have the same
half-step harmony, just in a different part of the chord. Why are maj11
chords "taboo" where maj7 aren't? Thanks!
honestly man, great vids the way you explain your examples is second to
none, but PLEASE just make a video where your intro song is a heavy metal
electric riff. Be the funniest and coolest thing ive ever seen, just A HUGE
dive bomb intro into some sweet licks. You obviously have great form and
dexterity in your left hand, just wanna see your tremelo picking form your
right with some sweet distortion. Switch it up a bit
Hey Great lesson. One question though...in ex #4 you describe the D7 as the
secondary dominant to key centre, A Major.... I'm trying to understand the
function you're describing for D7 as I thought secondary dominant meant the
V chord of next chord, which would be E? I'm not calling you out on a
mistake, I'm trying to grasp the info you gave so I can move onto next
video. ;) thanks
When you start building 13 chords it really gets interesting. Seven notes,
on six strings and with only four fingers (and a thumb if you're lucky).
Something's got to give. In the 13 chord you have two sets of discordant
notes. The 3-11 and the b7-13. Try playing an A13 like this x45432. It
leaves out the 1 and 5 but includes both discordant pairs.
Amazing! Once again, the epitome of free guitar teaching! One question
though... you see how you mentioned the dissonance of the 11th or 4th in
relation to the 3rd on the major scale? How come that doesn't apply for the
tonic C and the Major 7th B, which are also a half-step away? Thank you
once again!
Secondary Dominants have two categories of use /function. They can be
either, "Functioning," (which will go to the next expected chord). Or, they
can be, "Non-Functioning," (which can essentially go to any other chord,
diatonic or non-diatonic). Hope this helps. - Andrew
In my opinion, yes. You've probably noticed that an 11 chord has six notes
and most of the time you can't build the chord including all of the notes
(1, 3, 5, b7, 9 and 11). But you may want the discordant 3 and 11. To my
ears that's what makes the chord interesting.
Yes, that was a mistake on my part. The proper chord there is actually
an,"A (sus4) chord." My mind was just thinking about the key (or something
along those lines) I guess. Good ear /eye! Thanks for pointing that out. -
Andrew
I may have missed an explanation earlier in the video but in example # 5
you are calling for an Am chord to follow the Fmaj13. But in that Am chord
it looks and sounds like you are fingering a D note and have no C note.
Once again you've given up a very enlightening lesson. Thank you. Until
today, the fact that the 7th must be included before the 9th or 11th can be
stated rather than add 2nd or 4th was a complete mystery.
+creativeguitarstudio thanks for clarifying the maj7#11 chord but why do we
often see #11 in dominant 11 chords too? Here you've said that we use the
natural 11 in place of the 3 in a dominant. Shouldn't that also have a
#11??
The #11 would make the dominant an altered dominant chord (b5). Dominant 11th chords imply the natural 11. Both are used, but I would typically see an altered chord notated with the b5 rather than #11.
Many of us found it useful and enlightening and were able to follow along with the video. If you're confused, you're obviously looking at material beyond your current capabilities! Don't blame the tutor.
PHP Tutorial in Filipino Part 33 File Upload File Extension Validation
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Hello po. Paano po ba i-validate ang pdf fake file uploading? Just like
changing the extension name from .doc to .pdf. Paano po ba natin ma-prevent
ang ganitong situation?
+Jepoy M //stackoverflow.com/questions/312230/proper-mime-media-type-for-pdf-files
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