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What the fuck is the point in saying how beautiful this music is? It's just fucking words appearing on a computer screen somewhere - most likely yours... Well no shit Sherlock!

Anybody else cry when they first heard this song?

A fan’s review of Underworld’s new album ‘Barbara, Barbara, We face a Shining Future’ I expected another good Underworld album, as usual, danceable gems among more sublime and ambient tracks. What I didn’t expect to hear was a perfect album – ‘perfect’ in the sense of being that rare thing, an album where every single track is very, very good. This is a classic album, an album from the 21st century, that is easily comparable to the iconic ‘Dubnobasswithmyheadman’, the first album back in 93. As then, this is an album that is way ahead of the pack in terms of originality and danceability. It is full of energy, skill, polish, with mystifying and beautiful lyrics, memorable riffs and hooks, driving bass and very danceable beats, interspersed with tracks of sublime beauty and gentleness – so, basically, Underworld at their most creative and joyous. Then there are the glorious subsonics which permeate nearly every track while the smooth, ever-building, layering of sounds that Underworld has perfected over the years is in full form here. The subsonic beats make your bones tremble and your feet respond accordingly – this is a very danceable album. This album is best played over either very good speakers that have excellent sub-woofers and bass response or, even better in order to catch the thousand little sounds that weave back and forth through every track, a pair of headphones. Oh, and play it loud enough to drown in the waves of bass while you (unless you’re a soulless bastard with no rhythm) dance yer tits off. 1 – I exhale – The first single from the album was a 4 minute edited version of this 8 minute opening track. Karl’s meaningless/meaningful lyrics spoken rhythmically over a bass-driven, pulsing beat and thrumming electronic chords. As good an opening track as anything else they’ve ever opened an album with. 2 - If Rah – Another great dance beat interwoven with Karl’s vocals that builds up and up and up and only fades away occasionally so that it can explode once more into the headlong rush of another memorable dance track. An anthem of a dance track - “Luna, Luna, Luna” is the new “Lager, Lager, Lager”! 3 - Low Burn –Eno-esque, extended electronic chords underline it all, while a beat that has the drive and energy of New Order’s’ Blue Monday plays over the top and an ever-increasing selection of sounds of great depth and variety interweave between the two until, eventually, the multiple layers of sound drop away one by one until only Karl’s voice and a long, drawn-out epic chord fades away to silence. 4 - Santiago Cuatro – Radio static and one of the most beautiful instruments I’ve ever heard (the Japanese 3-stringed Shamisen or the Koto via an echo box are possibilities but then maybe it’s a banjo put through an Echoplex!) combine to make an entrancing, evocative, delicate, strange and wonderful four minutes of ethereal beauty. A place to rest between the dancing. 5 – Motorhome – There are only two lines in this song but, repeated over and over in Karl’s gentlest tones, they have the effect that Gavin Bryars’ “Jesus blood never failed me yet” has – the repetition of a simple phrase or two that becomes more meaningful with each recurrence. “What don’t lift you, drags you down. Keep away from the dark side.” Then the Hurdy-Gurdy and the Uillean Bagpipes and the Tibetan throat singers lift it to a “Day in the life” finale. 6 - Ova Nova – A hooky, catchy track with a gently rolling beat that sublimely places layer upon layer of piano, drums, bass and vocals down and then gradually builds in layers of background vocals into a more and more anthemic tune – or, rather, TUNE! A dance-floor filling, joyous, arm-waving little beauty of a song. My guess is that this will be the second single from the album. 7 - Nylon Strung – A new classic from Underworld; an album-closer that encapsulates the very best of Underworld’s skill, musicianship and creativity and shows why they’ve been the best live dance act since they first appeared back in 92 and why they continue to be so. A waterfall of sound, layer upon layer upon layer, building gloriously straight from the start and moving ever upwards to a Wall of Sound that Phil Spector could only ever have imagined creating. Only Underworld use silence as a bridge but, as here, they always immediately afterwards explode back into the epic block of layered sounds they’ve already created before gently taking us down into that wonderful, post-listening state of euphoria that comes from experiencing Underworld at the top of their game. PLAY IT AS LOUD AS YOU CAN. The first Underworld track that ever moved me to tears. Utterly glorious.