Free EQ VST/AU plugins: DDMF CM EQ Pack - Free with Computer Music #179
The DDMF CM EQ Pack is free and exclusive to Computer Music magazine, the guide to making great music with your PC or Mac. Get it now with CM179 at ...
Can you show or tell me (rather show me on video) how to make someone's
voice like that high pitch/robotic voice that rappers use in their
songs???? Been trying to figure it out for years.
+Darren Curtis II Actually - I just finished a video going over mastering and effecting vocals and there is a part where I mash up a vocal pitch and automate it to rise/fall - (*this is in Logic X though) have a watch = https://www.youtube.com/watch?v=HZ9A54x0iy0
3 Must-Have Plugins - Into The Lair #113
Dave shows you 3 cheap/free highly-useful plugins that can enhance your mixes and workflow in the 113th Into The Lair. Panipulator: ...
Can you guys suggest me a site for downloading SERUM VST for Free?
I have been looking for ages,but cant find a working download link...seems
like Xfer records disable them immediately:(
I would love to buy it,but iam broke...any help would be appreciated.I
heard SERUM is great.
+mibungiable Yea its super awesome!U can download it from "crackedstuff . Net".They have 60+ VSTs available.But it comes with a surveys...i suggest you to create a new email and used that for surveys,it took me less than 10 minutes to finish everything,they have single download links so you dont have to download multiple rar files.I heard "audiobang . net" is also good,but they split the files into many parts so its more time consuming.
I'm perplexed by the eq plugin rave. Am I totally wrong thinking that they
all essentially do the exact same thing, and it just comes down to how well
you know how to eq?
+Barkeroni What do you mean? That there are so many?Well, essentially, yes, they basically all do the same thing. But once you get into the plug-ins that are modeled to be more like hardware, or even specific pieces of hardware, they might bring in very specific characteristics. They might even introduce characteristics when you leave all their settings neutral, such as noise, harmonics, or certain frequency-boosts or roll-offs.Some might be unique because they have very specific functionality, like MS-processing, or they might be specialized around particular frequencies and have very specific curves.So it's a mix of tonal and functional differences. And it does help to know how to equalize, always. But you also need to find which tool fits your purpose. Because one equalizer might not shape the tone like another would. I've noticed this experimenting myself. I might have been using one equalizer for a long time, until I tried another one that processed sound differently and forgotten all about the previous one.Of course, then you have the very versatile equalizers that can edit any frequency in about any way you like. But that might also cause "option-paralysis". Sometimes simplicity is a virtue. I like a good balance of both.
+Ginlah Probably not under his control. - Also; You would think professional productions (be it records, movies, etc.) all come out stellar...I've heard way worse on YouTube, even from capable people with good equipment.
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Lets be real. Plugins suck unless you use them for subtractive eq,
enhancing effects or panning effects. I know people in the industry who
been doing this for years and made billboard hits and they told me the same
thing. You need hardware if you want that pro sound. Analog gear. Plugins
will only give you a headache because no matter what interface you have its
still going to sound terrible, smeary and unpolished. The cost of building
such a studio will cost from 60000 to 100000 dollars. The cheapest route to
go is find someone who owns great pro hardware and have them mix it and
mastering for you. Ive heard mixes done on protools hd with only plug ins
used and it sounded like crap. No punch and little clarity on the print
track. Plugins are used for on the fly mixing and mastering then when you
take the mix to a real studio you replace the plugins with hardware gear
but just maintain those settings. Thats how they do and thats how you use
plugins. Not for the finished product but for on the fly mixing. Hope that
helps.
"If you like the cheap route then use an SSL plugin instead of the the SSL hardware and see how far you would go. The radio DJ would laugh at you."That is the funniest thing I've read today. If you think a radio DJ cares what plug-ins or hardware you use, you are living in a very, very different world than the rest of us.
+tj mack Your naivety is laughable. It's people like you that convince themselves that a "pro" sound is only achievable with analog gear, when that's not the case at all. Most of the professional mixing and mastering engineers mix and master with plugins now. Sounds like you're bitter because you don't have the skills or experience that it takes to make professional sounding productions.
+bigd1blue "It won't cut it like the real gear" If that's true, how come it works for so many people?Also, Dave is promoting them, and I'm assuming he is what you would consider a professional, so I'm going to assume he knows what he's talking about.PS: It's RazR not Razer
Razerbeats im not going to comment any further because you are just like anyone else out here trying to promote software knowing it wont cut it like the real gear or any other hardware peice that are used. Mixing is not a secret anymore so stop patronizing me with your BS.
+tj mack One final thing, if you preach hardware so much, show me some music you have made to back up those claims. Anyone can say they have friends who "made billboard hits", however I want concrete evidence.
+tj mack I don't know where you're getting this from, but if plugins were as useless as you say they are than how come a countless number of people have become eextremelysuccessful using them?
Mud in the digital realm cant be eliminated by using eq but from only analog summing and digital conversion. Thats it. If anyone tells you otherwise its a lie. After the set up is complete then you can fine tune the mix by using plugin eqs for low pass and hi pass or cutting.
Cop you a UAD apollo set up too so to utilize their plugins which i think are pretty close in regards to hardware emulations. Combine that with a dangerous summing amp and a big ben apogee clock and you will have a nice spacial mix. It wont be punchy until the mastering stage is complete bur it wont sound muddy
Or you can let someone like Dave mix it for you which is a whole lot cheaper because they have all that gear on hand. Simple as that. You just concentrate on the preproduction.
You want to have a great sounding mix, start off by buyi g an SSL board, SSL outboard gear , an Apogee Symphony, a Summing Amp, a Manly Massive Passive and A vari comp. Along with Protools HD and TC electriconic gear. It will cost you a total of $ 60,000 bucks but you can at least mix and master a song thats somewhat radio ready
Who are these people and what songs? Where they hits? Did you see the entire process from start to finish to back up these claims? Im curious to hear your response. After your response i will allow one my industry buddies to comment for me who already have billboard hits under their belt.
And what evidence do you have to back up that claim? I've heard people mix on only plugins and come out with amazing results. It's not what you use, it's how you use it
Unless you like a thin sounding mix with no punch. Analog is the way to go and the end result in mastering. I will always use analog gear routed through protools with clead AD conversion. Dave does the same thing trust me.