This is the final speech I presented to my Summer Public Speaking class at Mendocino College on the Importance of Innovation. I received an A+ for the ...
Charlie Hunter - 1
Charlie Hunter at the 2006 Mendocino College Artist in Residence concert. After a week of lecturing in the music classes, Charlie gave a fantastic show on his 7 ...
I agree and disagree. A capo is restricting from a fretboard standpoint.
And if someone is using it as a crutch to play in different keys then that
is definitely a bad thing. However, like jmneon said it can be a useful
tool in the hands of an experienced guitarist. Especially in the studio for
layering guitar parts. Open strings sound bigger than closed voicings, so
in a key such as Bb capo at VI and playing in G can make a part sound much
fuller. Pro Nashville cats use them all the time.
I guess that could be interesting. I'm definetly not going to knock those
great cats in Nashville. However, as a jazz player. I like the big fat
sounds. Very usefull in a trio. A good player needs to know his or her
voicings to make it full. A Bb is also a Gm6. Playing with Gm inversions
and other subs for Bb can really open things up. You must be a good player.
I respectfully don't agree. If you want to experiment with keys then
experiment with them. You'll be surprised what you find out. To me a Capo
restricts me from using the whole guitar. My first day of jazz class with
Joe Monk he took mine and threw it in the garbage. Why restrict yourself?
Especially in jazz or blues.
Not the device is limiting, only your mind. If you do not use a capo, you
are limiting yourself. If you have a reason for using one, use it, if not
don't. You cannot play high melodies with a low G in the bass without capo
or detuning, so not using one would be limiting. There are other examples
for this.
couple years a go Mayer gave long speech on Berklee, where he said that he
saw Tomo do this slapping thing and after this he praticed this year
wathing some sitcome on tv ;). Ps. sorry for my english if i have made some
mistakes.
ahhh, that's why it seemed to be an 8-string at first glance.. I saw that
hole and thought it was a tuning peg. I wonder why he just would get a
7-string built for him and keep the 8-string... hmmm..
Wow this cats great. The future of guitar. I have a couple of his CD's.
It's great to see a guitarist who is also a great musician. I've had enough
of these finger tapping whammy barring assholes.
Your right, I never could spell. He had just had that guitar converted from
the 8 string to the 7. If you look carefully you can see an extra hole
where the peg was. Also he had the neck narrowed.
A capo is for guys who don't know thier keys or the fret board. It's
extremely limiting. Get a command of theory and you won't need one. It'll
open the whole guitar foryou.
Henry Butler performs the Entertainer at Mendocino College. Henry is our 10th Artist in Residence in a program that brings a recording artist into the music ...
@Nyamonymous Anytime someone plays Scott Joplin fast, they're spitting on
the guy's work. Joplin always insisted that his ragtime had to be played
elegantly and not too fast. The tempo here is fine, too, even though this
is almost entirely unlike the original.